As we consider the question “Why should I believe the Bible?” it is important to understand various things about the Bible. One of those things is that the Bible is amazingly…
The Bible was written over the period of fifteen-hundred-years, by more than forty authors with varied backgrounds (e.g. king, herdsman, fisher, tax collector, physician) and literary styles (e.g. historical narrative, poetry, law, biography), on three different continents (Asia, Africa, and Europe), in three different languages (Hebrew, Aramaic, and Greek) and yet it tells one unified story. The storyline of Scripture is amazing. It’s significance and glory can never be fully known and yet the storyline of Scripture can be beautifully portrayed in a three-minute video.
All throughout the Bible, from Genesis to Revelation, we see two distinct groups. God has called particular people from all nations. As James Hamilton has said, “People are either seed of the serpent, on the side of the snake in the garden, or seed of the woman, on the side of God and trusting in his promises.”
The careful reader of Scripture can see the enmity between the two seeds in Genesis and in fact through the whole Old Testament. There are physical decedents of Eve that are spiritually seed of the serpent. This is not just something we see in the Old Testament though. We see it through the whole of Scripture (cf. e.g. Matt. 13:38; Jn. 8:44; 1 Jn. 3:8). We see two distinct seeds with two distinct ends from the beginning of Genesis (cf. esp. Gen. 3:15) to the end of Revelation (cf. e.g. Rev. 21).
Notice that in 2 Thessalonians 1:7-10 there are two groups: 1) those who did not believe and thus receive judgment and 2) those who do believe and thus enjoy the presence of God and marvel at Him. And notice Jesus separates the goats from the sheep based on what they did in their earthly lives (Matt. 25:32ff). People are gravely either goat or sheep, wise or fool, darkness or light, faithful or faithless, in Christ or damned.
As I have said, the Bible shows to different humanities, one lost and the other saved, one in heaven and one in hell. This is what we see throughout the story of Scripture and this is what we see reflected in other places in the early church’s teaching. For instance, the Didache (50-120AD) says, “There are two ways, one of life and one of death, and there is a great difference between the two ways” (1:1).
Jesus knew no sin, yet He became sin for us. We see the idea of someone bearing sin in the place of others attested to in both the OT and NT (cf. Lev. 10:17; 16:21-22; Is. 53:6, 11-12; Jn. 1:29). Jesus is the Lamb without blemish that takes away our sin by dying in our place but He also rises; priest and lamb are not His only office. Jesus is also the coming King who reigns eternally. Consequently, union with Christ as our corporate head not only brings appeasement from wrath but entrance back into the true Promised Land. So, the gospel is the good news of the Kingdom through the cross.
Hughes says of 2 Cor. 5:21 that “there is no sentence more profound in the whole of Scripture.” It is profound, amazing, and unexpected because although Jesus knew no sin He is treated as sin personified. What is further remarkable is that while “Christ alone in actuality suffered the penalty for sin, all are regarded as though they had suffered it themselves.” Read More…
Introduction: How should we think about art? Why has art had such a varied history? What explains why we can relate to both “sad reflective art” as well as “joyous exuberant art”? How does art in its various forms sometimes make us yearn for something that seems out of reach?
These are big questions and questions that have been answered by many better minds than my own. However, I believe as we look to God’s Word as our guide we will be able to make some significant observations that will better position us to answer them.
Let’s consider seven things from the storyline of Scripture.
Consider the Creator
“In the beginning, God created the heavens and the earth…” (Gen. 1:1). He made atoms and oceans, sunsets and frogs, butterflies and hogs. He made matter and motion, the stars in space and every trace of sand. He made my hands and yours too. God makes flowers and bees. God thought up nectar and the neurons that make emotion.
God created the wild crash of hydrogen and oxygen known as water; crystal clear and falls from the sky, and gives life. It’s like miraculous manna from heaven that we completely take for granted.
The only artist who is perfect in all forms of creativity—in technique, in originality, in knowledge, of the past and future, in versatility, in having perfect content to express as well as perfect expression of content, in communicating perfectly the wonders of all that exists as well as something about Himself, is of course God—the God who is Personal.
God is the most majestic musician, supreme sculptor, wowing writer, and awesome artist. We can look at the flowers of the field and see that God is the most creative creator of clothing. He is the creator that gives creativity.“God is the Great Maker, the unique Creator. And all other creative activity derives from him.”
God the Creator is the great Artist. He set the dome of the heavens and fashioned the universe. He created the music of the stars and set the heavenly bodies whirling in a great cosmic dance. He paints the sky of man’s earth with clouds and sunsets, and the ground with flowers and streams. He fashioned man out of dust of the earth. He tells the greatest love story of time and eternity, and unfolds it in a drama unlike any that man has ever created. He uses every art and every medium.
Observation: Our creativity is contingent upon the Creator. God is the great Creator and we merely reflect Him with our creations, as we will see.
We see in the beginning that when God saw all He had made He pronounced, “very good” (Gen. 1:4; 10; 12; 18; 21; 25; 1:31). There was no sin, no death, and no problems. Man had perfect fellowship with God (cf. Gen. 3:8) and enjoyed God’s beautiful creation.
God’s creation shows us what God wants for us. He wants us to enjoy and take part in the creation that He has made very good. It shows us our intended design: fellowship with God and each other and the correct enjoyment and creative oversight of creation.
The heavens declare and shout forth the glory and beauty of God (Ps. 19:1-6). “Our God is beautiful in all his way; it is part of his perfection. This divine beauty has been woven into the fabric of creation, in the massive stars, inside the submicroscopic balance of the atom.”
Observation: As we take in and enjoy beauty, whether Mozart, Norman Rockwell, or a brook basking in the sun, it points us back to our Creator for which we truly yearn. Even “photography is a longing for eternity, a desire for a lasting impact. When we blast our memories far and wide, we are hoping they will linger when we’re not present and maybe even when we’re gone. How odd that something seemingly instant can be rooted in a hunger for eternity.”
Consider that we are Creative Creatures
What is man? A complex animal, more advanced through Darwinian Evolution? Are humans merely matter in motion?
We see the doctrine of the image of God, the imago Dei, in various places in Scripture (Gen. 1:26-27; 5:1-3; 9:6; 1 Cor. 11:7 Col. 3:10; James 3:9). The most prominent is Genesis 1:27 that says, “God created man in His own image, in the image of God He created him; male and female He created them.” “The ‘image (likeness) of God’ refers to a permanent aspect of our created nature, which was not affected by the fall. It is the special characteristic of the human race, which distinguishes us from other creatures.”
So, “We are created in the likeness of the Creator… So we are, on a finite level, people who can create.”
We were made, in part, to create. We were made to work unhindered at the creative care of the creation. However, the plot thickens. A cosmic problem is introduced. Through man’s fall we see the crash and curse of creation, which explains why everything is no longer good and why our creative care is constrained.
Observation: We are creative creatures; that is part of what we do and how we reflect the image of our Creator. We see that because that is what we were created to do we thrive as individuals and as societies as we create.
Man was created that he might create. It is not a waste of man’s time to be creative, because this is what was made to be able to do. He was made in the image of a Creator, and given the capacity to create—on a finite level of course, needing to use the materials already created—but he is still the creature of a Creator.
We were created in the image of God not to procrastinate but to be productive, to create and “subdue the earth.” When we are functioning according to our design, doing what God has given us to do, it is then that we prosper (and realize I do not mean financially, I mean teleologically).
Realize there are all sorts of types of creativity, one person creates cars, another creates music, and still another manages his restaurant in thoughtful ways. The important observation here is not so much what we do but how we approach our tasks.
We should approach all we do with intentionality and skill. As Timothy Keller says, “our work can be a calling only if it is reimagined as a mission of service to something beyond merely our own interests. Thinking of work mainly as a means of self-fulfillment and self-realization slowly crushes a person and… undermines society itself.”
Consider the Crash
Man disobeyed and rebelled (Gen. 2:16-17; 3:6) and this brought spiritual and physical death (Gen. 2:17; 3:19), pain (3:16-17), difficulties (3:18-19), and separation from God (3:23-24). This is the bad news that we all live in.
In Genesis 3:1-24 we see the Fall of humanity. We see various forms of death given birth to. We see “’an ever-growing avalanche of sin, a continually widening chasm between man and God’. It progresses from disobedience, to murder, to indiscriminate killing, to titanic lust, to total corruption, and uncontrolled violence.” Sin truly brings a litany of death. “Disease, genetic disorders, famine, natural disasters, aging, and death itself are as much the result of sin as are oppression, war, crime, and violence. We have lost God’s shalom—physically, spiritually, socially, psychologically, culturally. Things now fall apart.” Sin opens Pandora’s box and unleashes a horde of evil.
We have marred more than the mediocre; we have marred the Michelangelos of the world. We have marred superb beauty and made it unbelievably hideous.
To illustrate, if I ruin a “masterpiece” that my son made with paper, glue, and crayons, the ramifications will be far less than if I destroy the Mona Lisa.
Well, creation was intended to be a Mona Lisa; that is, it was intended to be supremely glorious. God’s creation was intended to be good, beautiful, and aesthetically pleasing to our senses, emotions, and intellect beyond what we can imagine.
We often think of this world as the way it is not as the way it was intended to be. If we could see a glimpse of what the Great Creator had in mind for His masterpiece, then we’d see that we “paved paradise and put up a parking lot.” We essentially killed a thousand Beethovens and blared white noise. We backfilled the Grand Canyon with gravel. We burned a hundred museums of art. We scorched our taste buds off our tongue. We took a wrecking ball to all the wonders of the world and razed a thousand gorgeous cities. We have brought cataclysmic chaos to the world.
Sin is not a light thing. We, as humans, were created in the image of God. We were to be like Christ, God in flesh (cf. Gen. 1:26-27). The world was meant to be supremely glorious, peaceful, and loving but instead it is disgusting and understandably repugnant to God. So, as we try to grasp the wonder of what has been marred we can begin to understand how serious the situation is and how terrible sin is.
The crash happened in Genesis 3, man disobeyed God and chaos and curse ensued. In the crash, we see what went wrong with us and the world.
Observation: The image we bare is tainted and marred. It’s like one of Winslow Homer’s famous watercolor paintings had a pail of acid poured on it. We can still trace the image but it’s faded. We need a master painter to repaint us.
It is important to observe that “The arts, which speak so subjectively and so very personally regarding who and what we are in relation to our Maker are very vulnerable to the distortion that sin has brought in the world.” Even in the Bible art can be used to idolatrous ends. We, after the crash, often use creativity to de-create and desecrate the good world God has made.
We see that we often desire heaven and make hell. We want back in Eden and sometimes we express that, but sometimes we express the crash. We, in the words of Makoto Fujimura, “carry the dust of Eden in our DNA.” Michael Card has said, “A thousand examples speak of a deep, inner hunger for beauty that, at its heart, is a hunger for God. We hunger for beauty because it is a beautiful God whom we serve.” Yet, we are stuck on the outside of Eden. We are stuck yearning.
Much art reflects on this theme, from superhero movies to angsty art, we know there was a fall. We know we live after the crash. We desire the new creation but many don’t know the answer. They don’t know Christ the Promised One.
After the crash of creation, after the curse was introduced, there was a promise of a deliverer that would set all right again. At first, the promised offspring (Gen. 3:15) was vague; in fact, Eve rejoiced because she thought she had the offspring (4:1) but it was all for naught because Cain was the offspring of the serpent and killed his brother.
However, later on, we see Him who even the prophets longed to see (Matt. 13:17), we know that all Scripture finds its fulfillment in Jesus who is the long awaited Messiah (2 Cor. 1:20). The one that will crush the curse and bring in the new creation.
The Bible is a true story about God making the world, man messing it up, and God becoming a man to fix the world by not messing up. It is a story of Eden—exile—repeat. It is not until the true Adam, the true and righteous Son of God—Jesus—comes that this process is broken. All of Christ’s predeceases fell short; Adam, Noah, Abraham, Saul, David, Solomon, and the lambs, priests, and prophets could not fill Christ’s role.
Through Christ we see what God has done to put things right. Christ hung, outstretched on the tree, and bore the curse and will come again to bring His eternal reign when peace will be pervasive and joy will be tangible.
Jesus is the hero of the story. He takes upon Himself the curse and brings the new creation and friendship with God that we all yearn for.
The Cosmic Creator that flung the stars in place and knows them all by name cares to the point of crucifixion. He is the author that writes Himself into the story. He makes, He comes, He dies, and He rises again. And He’s coming back to recreate the world.
Observation: In Christ, first we see our Savior, but we see also see a profound example. Christ’s character as seen in the Gospels is one of creativity and compassion. He is expressive and real. He is harsh and gentle.
Christ was honest to the reality of our current condition. He didn’t lighten the realities of the crash and the catastrophes that it created. However, He wasn’t hopeless either. He brought the world the solution they needed: Himself.
We too must understand our current condition and honestly and creatively communicate truth to the world.
Consider our Current Condition
It is important for us to correctly situate ourselves within our current condition. We, for instance, do not want to place ourselves within the new creation when we are still wheeling from the crash. In the same way, we don’t want to forget that Christ has came. We need to understand our current condition. We do not want to have an “over-realized eschatology” or an “under-realized eschatology.” We want to correctly grasp our situation and communicate the struggles and hopes that we have to the world.
Steve Turner has said, “It is not Christian to make art that assumes that the world is unblemished.” It’s certainly true that the Kingdom has come in God’s Son. The light is shining and the darkness is passing away (1 Jn. 2:8) but it hasn’t passed away yet. We still live in a fallen world. Soon the darkness will be forever gone (Rev. 22:5) but for now it’s an element in our reality so to paint or portray reality means including “darkness.”
We must position ourselves after the Creator, the creation of all things, and the crash and curse of the cosmos, and we must remember that we were created as creative creatures to reflect our Creator. We must remember Christ, the hope of all the world. We must hope in Him and the new creation that He will bring at the consummation of His Kingdom.
We must not get stuck hopelessly on the crash and curse of the world, though to be in the world is to reflect realistically on its realities. Yet, we must not forget Christ and His coming Kingdom and the fact that we are not the center of the universe. So, “The Christian artist will often be an irritant, disturbing the anthropocentric view of the world that fallen nature naturally gravitates toward.”
Observation: It is when we remember our current condition, all that has laid behind us and all that lays before us, that we can most profoundly and prophetically speak into our cultures. It is then that we can bring compassion and truth to bear and see God’s truth take root and change people and society.
So, David Skeel says, “The most beautiful and memorable art will reflect the tensions and complexity that only Christianity can fully explain.”
Consider the coming Consummation
When Jesus came the first time, He had no beauty or majesty. When He comes again His face will shine like the sun in full strength (Rev. 1:16). We were cast out of the garden in the beginning but as Jesus said to the thief on the cross, all those who go to Him will be let back in. For those in Christ, the story of history will have a happy ending (Rom. 8:29-39).
Through Jesus the Christ, we have the unwavering hope of a new creation (2 Peter 3:13). “The creation was subjected to futility” in Adam (Gen. 317-19) but in Christ “the creation itself will be set free from its bondage to corruption and obtain the freedom of the glory of the children of God” (Rom. 8:20-21). As Isaac Watts put it in “Joy to the World,”
No more let sins and sorrows grow, Nor thorns infest the ground; He comes to make His blessings flow Far as the curse is found, far as the curse is found.
The problem (all of them!) will be fixed and there will be no more sin (Rev. 21:27; 22:3; Matt. 13:41). Everything will be more right than it was ever wrong. We will see that God did, in fact, work all things together for good (Rom. 8:28). Christ will make a new creation and we will be like Him (1 Jn. 3:2; Rom. 8:29; 2 Peter 1:4). “Just as we have borne the image of the man of dust, we shall also bear the image of the man of heaven” (1 Cor. 15:49). God will fulfill our deepest desires and we will finally live with Him in paradise in the end.
Jesus is the good news but the good news is not static it goes on and on and on; those in Christ live happily-ever-after. In contrast, God “will gather out of his kingdom all causes of sin and all law-breakers” (Matt. 13:41) and cast them into the pit of eternal fire (Rev. 20:14-15). The Lord will bring heaven down and establish His Kingdom that will not be shaken but will last forever and ever in perfect beauty and joy.
Observation: Time is working itself down to a consummation; to a renewal of the creation, in fact, a new creation. Ever since Eden, this is what we have longed for and it is made available through Christ. However, many miss it. They look to the creature rather than to the Creator to find satisfaction, life, and joy.
As we carry out various creative tasks we can thoughtfully point people to what they need and why they need it. We can address the issue of the crash, our current condition, and Christ and the coming consummation.
We can also know that art occupies a type of middle ground. In one way pointing backward (to creation) while planted firmly (in the current condition) and also pointing ahead (to the consummation).
Conclusion: So, how should we think about art?
As we carry out our creative tasks (whether or not it is typically labeled art or not) we reflect our Maker. We point to the reason and rhyme of the universe, especially when we reflect on and cause others to reflect on why, at times, there seems to be no reason and rhyme to the universe.
Lastly, as we seek to be faithful and reflect God’s image we must look to Jesus. He is the Master. He is “painting” us in His image. The brushstrokes that stand out the most are “love the LORD your God with all you are” and “your neighbor as yourself.” It is through the application of those two brushstrokes that we look more and more as we were always supposed to look.
 My word is very fallible but God’s Word is truth. This is important because, as William Dyrness, has said: ““Artistic issues are, according to the biblical perspective, profoundly theological from the beginning to end” (William A. Dyrness, Visual Faith: Art, Theology, and Worship in Dialogue, 70).
 Edith Schaeffer, The Hidden Art of Homemaking, 14-15.
 Frank E. Gaebelein, The Christian, The Arts, and Truth, 72.
 W. S. LaSor, “Art” in The International Standard Bible Encyclopedia, 302.
 “Only God can imagine and make something out of nothing. In this sense, he is the only One who deserves the title of Creator. We are merely creative” (Harold M. Best in Michael Care, Scribbling in the Sand, 122).
 Michael Card, Scribbling in the Sand, 32.
 Craig Detweiler, iGods: How Technology Shapes Our Spiritual and Social Lives, 189.
 “That man by creation uniquely bears the divine image is a fundamental biblical doctrine—as also that this image is sullied by sin and that it is restored by divine salvation” (Carl F. H. Henry, “Man” in Baker’s Dictionary of Theology, 338).
 “The declaration that humanity bears God’s likeness is startling, awesome, and almost incredible, but what exactly does it mean?… Two primary, and not necessarily contradictory views are: (1) the substantive view, according to which humans share some aspects of the nature of God (intelligence, emotions, etc.); and (2) the functional view, according to which humans act like God in their divinely given role to rule the earth. The immediate context, with the language of dominion and subjugation, suggests that the functional interpretation is primary” (Köstenberger, God’s Design for Man and Woman, 29). I personally believe in a hybrid view. I believed in a functional view that implies the substantive view. That is, if we as humans are to function as vice-regents we must be endowed with the abilities to carry it out (e.g. intelligence, creativity, etc.).
 G. L. Bray, “Image of God” in NDBT, 576.
 Edith Schaeffer, The Hidden Art of Homemaking, 24.
 Edith Schaeffer, The Hidden Art of Homemaking, 24.
 I think for example of Chic-fil-a.
 Keller, Every Good Endeavor, 19. He also says “Everyone will be forgotten, nothing we do will make any difference, and all good endeavours, even the best, will come to naught. Unless there is God. If the God of the Bible exists, and there is a True Reality beneath and behind this one, and this life is not the only life, then every good endeavour, even the simplest ones, pursued in response to God’s calling, can matter forever” (29).
 Revd Victor James Johnson, “Illustrating Evil – The Effect of the Fall as seen in Genesis 4-11,” 57 in Melanesian Journal of Theology 11-1&2 (1995).
 Timothy Keller, The Reason for God: Belief in an Age of Skepticism (New York: Penguin Group, 2008), 177. “Disunion with God is reflected in disunion with others and with oneself” (Johnson, Foundations of Soul Care, 466).
 Frank E. Gaebelein, The Christian, The Arts, and Truth, 75.
 Makoto Fujimura, Refractions.
 Michael Card, Scribbling in the Sand, 32.
 “Christianity explains our inability to sustain transcendence as evidence that creation, and the creation, have been corrupted” (David Skeel, True Paradox: How Christianity Makes Sense of Our Complex World, 88).
 Steve Turner, Imagine: a vision for Christians in the arts, 86. “To portray the world as a rose garden can be as misleading as portraying it as a cesspool” (Ibid., 58).
 Steve Turner, Imagine: a vision for Christians in the arts, 22.
 David Skeel, True Paradox: How Christianity Makes Sense of Our Complex World, 82.
Genesis chapter 20 is a peculiar passage. We can ask many questions of it. Why is it there? What purpose does it serve?
Yet with all of Scripture context is king. When we begin to see the passage as it is meant to be seen, in it’s broader context, it makes more sense. So let’s look briefly at the broader context. What are some things from earlier on in Genesis that could shed light on Genesis chapter 20?
The first promise we see in Genesis is of a seed that will come and crush the head of the serpent. A descendant of the woman, who by implication of destroying God and mans enemy, will set things back the way they were supposed to be. When we look at Genesis we see glimpses of hope for this very descendant.
Genesis 3:15 is the protoevangelium. It is the first gospel. However, quite ambiguous at first, and at times the line of the seed looks hopeless; we, as the story continues, see the serpent-crushing-seed in full glory. Thomas R. Schreiner rightly says, “We can fairly say that the OT is animated with an eschatological hope. Gen. 3:15 forecasts a day when the seed of the woman will triumph over the seed of the serpent,” though as we will see, “subsequent history appeared to mock the promise.”
We will look at what the immediate understanding of the pronouncement was to Adam and Eve at the outset of Genesis. We will see that they had hope that a seed would be born that would bring some form of deliverance but beyond this we cannot be sure of their understanding. Then we will briefly trace the development and understanding of the Genesis 3:15 promise through the OT and see that we leave the scene still looking for the promised hero of the story. Finally, in the NT we see things happen and come together in ways that could never have been imagined, something like true fiction. We look at the birth of the seed of the woman and explore the culmination of the promise in the victorious King in Revelation who has once and for all crushed the head of the serpent of old.
As we look at this theme in Scripture, we cannot merely look at a word study. In part because the verb for “crush” in Genesis 3:15 is seen only four times in the Old Testament. It is seen twice in our passage and once in Job 9:17 and once in Psalm 139:11 but in both of these cases it is not used with the same imagery. However, we should not make the false conclusion that we do not see Scripture return to this theme. It is more helpful as we look at this passage to look at the scenarios or links that are used to recall the Genesis 3:15 promises and not merely a word study. As Hamilton says the “announcement of judgment on the serpent provides fundamental imagery that is reused and interpreted throughout the rest of the Old Testament” even if שׁוּףּ is not used. As Hamilton says elsewhere, “the themes of biblical theology are broader than individual words.”
In the immediate understanding of the verse, the seed refers to a singular seed but as we see, as the story continues, it also entails a collective aspect. The immediate understanding of the text is seen by the name Adam gives to his wife. Adam names his wife Eve, that is, life-giver, and not death (Gen 3:20). Through this, Adam shows that he has hope. Perhaps, he even hopes to once again enter back into the garden and enjoy renewed and undeterred fellowship with God once the evil serpent gets what is coming to him. Stephen G. Dempster says, “in light of the immediate context, the triumph of the woman’s seed would suggest a return to the Edenic state.”
Later we see that Eve bore Cain and thought she had the serpent crushing seed. She said, “I have gotten a man with the help of the LORD” (4:1) Michael Horton explains that without the definite article, we are especially dependent on the context. Therefore, in light of Genesis 3:15 this verse could be understood to mean, “the man,” that is, the seed. Adam and Eve had hope. They expected a seed (singular), in their lifetime that would bring some form of deliverance, though we cannot be certain as to the extinct of the deliverance for which they hoped.
However, as we read on in the story we see that Eve’s hope is unfounded. Cain was the seed of the serpent and killed his brother Abel (cf. John 8:44; 1 John 3:8-15). Yet she continued in expectation. We see this with the birth of Seth (Gen 4:25). The curse wrought because of rebellion in the garden was not revoked and death spread to all men. We see this in the refrain, “and he died,” in Genesis chapter five yet we see hope of deliverance through Enoch’s experience.
In Genesis chapter six, we do not see the crushing of the serpent as is hoped for but we do see preservation of the line of the seed of the woman, and in fact of all humanity. Actually, careful reading of Genesis will lead one to see the importance that the book places on seed and their preservation. This is especially clear and miraculous in light of the NT and the barrenness of certain women at crucial points along the line of the seed.18
In the first chapters of Genesis, we see a foggy hope of a seed to come that will crush the head of the serpent. However, it is not until further down the road of revelation that the identity of that seed becomes clearer. In fact, we do not even know if the promise is ultimately fulfilled through a collective seed or a singular seed at this point of the OT.
There are important pieces that we must gather from the first few chapters of Genesis that are important if we want to fit the puzzle together at the end. We must note the hope established from the beginning (to reenter Eden?). We must see the importance placed on the seed of the woman. It is also important to remember the crushing language employed. It is with these and similar themes that we can trace the serpent crushing seed through Scripture. At first, the promised one is vague but as we continue, we pick up more pieces that fit in place in unexpected ways. To culminate in what the apostle Paul will call foolishness.
T.D. Alexander sums up well for us. “Although Genesis 3:15 hints at reversal of the alienation arising from the disobedience of Adam and Eve, for the fulfillment we must read further. Here, however, we find the first brushstroke on the biblical canvas concerning a future king through whom God’s salvation will come to humanity.”
We have seen what the immediate expectation was but what do we see as story of Scripture develops? What more information do we see surface that gives us a hint to the prophesy’s ultimate fulfillment? We have seen that Adam and Eve hoped for a singular seed to be their victor but how do we understand the collective seed and the promised enmity between the two seeds? We have seen that Abel, instead of crushing the serpent, was crushed himself by the serpents seed. We have seen that Seth too, did not crush the serpent. So where is the promised one?
As we ask these questions, we will see a line traced through Genesis and the whole Old Testament, a line of seed and their story. Specifically, a line that has hope, hope in God and His promises, hope in an offspring. As Hamilton says, “People are either seed of the serpent, on the side of the snake in the garden, or seed of the woman, on the side of God and trusting in his promises.” The careful reader of Scripture can see the enmity between the two seeds in Genesis and in fact through the whole Old Testament. There are even physical decedents of the woman, i.e. seed, that are spiritually seed of the serpent.
The Genesis narrative does not go on very long before we see more seed/offspring promises. However, the Abrahamic promises do not continue the language of “crushing” but, as we have seen, we do see the promised enmity. The promise to Abraham is obviously important in many ways but we cannot dive into them here for our purpose. What we do need to see, however, is Abraham’s seed will be given the land (Gen 12:7 cf. Gal 3:16). The land promised, is significant because the righteous seed brings prosperity to the land as they crush and conquer the heads of the serpent’s seed. Thus, maybe Adam and Eve would have been right to think that the promised one would bring in some form of Edenic state.
Hamilton says, “The blessing of all the families of the earth through Abram and his seed (12:3; 22:18) directs readers of the Genesis narrative to a seed of the woman who will crush the serpent’s head, repeal the curses, and open the way to Eden.” Though we do not have times to look at all the accounts, there are many times in the OT when the two seeds are seen in conflict crushing each other. The seed of the woman is seen time after time crushing the seed of the serpent to obtain the Promised Land, a type of Eden.
In the New Testament, we see Jesus is the Promised Seed, the Good News. At the close of the OT as we saw there is no serpent crushing seed on the horizon. But there is good news, stretching back all the way to the beginning of the story. This is not the end of the story. The genealogies link Jesus all the way back to David, Abraham, and even the seed of the woman. The “seed” referred to in Genesis 3:15 and 12 is the same seed. The curse evoked because of sin, is revoked in the promised blessing to Abraham’s seed, who is also the seed which will defeat the serpent; namely, Jesus of Nazareth.
This is the good news; Jesus is the good news. Notice the genealogies point to Jesus as being the Christ that was promised to defeat “the Serpent of old” (Matt 1:1-18; Luke 3:23-38 says, “Jesus… the son of Adam,” i.e. seed of the woman). Jesus’ genealogies recall the promise in the garden, the Abrahamic promise, and the 2 Samuel 7 promise. It is significant “that Jesus is named as being born of (i.e., the seed of) the woman (Gal 4:4) and the seed of David (Rom 1:3; 2 Tim 2:8).” Alexander says, “The NT presents Jesus Christ as the one who brings to fulfillment the divine promises associated with the unique line of seed descended from Abraham.”
We see all through out Scripture that if God did not faithfully and sovereignly (e.g. think of the entail barrenness of women within the line of promise) preserve the line of promise His promise in Genesis to defeat the serpent of old and bless the nations could never have been fulfilled. However, God is a God of covenant loyalty, He keeps all of His promises, so God stepped into the altercation between Abraham and Abenelech and God graciously prevented the line of promise from being destroyed.
Clearly God is our Savior. We don’t nor can we save ourselves. Genesis 20 is just demonstration of this truth. God preserves us and keeps His promises to us even when we fail in big ways.
The promises of God do not come to fruition because we or Abraham is good enough. The promises of God come to fruition because God is a good and faithful God. He is gracious and merciful. Let’s praise the LORD in humility!
 Thomas R. Schreiner, New Testament Theology: Magnifying God in Christ (Grand Rapids: Baker Academic, 2008), 25. Similarly, Hamilton says, “From start to finish, the OT is a messianic document, written from a messianic perspective, so sustain a messianic hope” (James M. Hamilton Jr., “The Skull Crushing Seed of the Woman: Inner-Biblical Interpretation of Genesis 3:15” The Southern Baptist Journal of Theology 10, no. 2 : 30).
 I do think it is clear that they would have realized that the problem was not just any “snake” or snakes in general but the snake that tempted them. The supernatural snake is the problem. I believe this would have been clear to them. They had seen other snakes before that in the garden and after they were expelled as well. In addition, they presumably heard God’s judgment on the snake since they expected its promised foe. So contra Robert Alter who says, “The serpent is by no means ‘satanic,’ as in the lens of later Judeo-Christian traditions” (Genesis: Translation and Commentary [W. W. Norton & Company , Inc.: New York, 1996], 13). I believe, it was not just the “later Judeo-Christian traditions” that saw the satanic nature of the serpent but even Adam and Eve understood this to some degree.
 “Too much biblical theology has fallen prey to the word-study fallacy and has failed to see that themes can be developed with synonymous terms. Charles Halton has shown that ‘ancient writers felt no compulsion to provide direct links with their allusion….instead, they borrowed imagery and fused it with their own rhetorical purposes.’ I would suggest that this is exactly what happened in the Old Testament with Genesis 3:15,” says Hamilton (God’s Glory in Salvation through Judgment: A Biblical Theology. [Wheaton: Crossway, 2010], 77.).
 Cynthia Long Westfall says a “’scenario’ is a linguistic term that is used to indicate ‘an extended domain of reference’ or associated bundles of information that lies behind a text. A scenario includes setting, situations, specific items, and ‘role’ slots” (“Messianic Themes of Temple, Enthronement, and Victory in Hebrews and the Epistles” 210-229. In The Messiah in the Old and New Testaments Stanley E. Porter ed. [Grand Rapids: Wm. B. Eerdmans Publishing Co., 2007], 212).
 Hamilton, God’s Glory in Salvation through Judgment, 77. On the same page he also gives a list of “Imagery from Genesis 3:14-19 in the Old Testament” in Table 2.4. As Hamilton points out, we see imagery of broken heads in Num. 24:17; Jud. 4:21; 5:26; 9:53; 1 Sam. 17:49; Is. 1:4-5; 7:8-9; 28:3; Jer. 23:19; 30:23; Hab. 3:13; Ps. 68:22-24; 74:12-14; 110:6, broken enemies in Ex. 15:6; Num. 24:8; 1 Sam. 2:10; 2 Sam. 22:39, 43; Is. 14:25; Jer. 13:14; 23:29; 48:4; 51:20-23; Ps. 2:9; 72:4; 89:24; 137:9; Dan. 2:34-35; Job 34:22-25, trampled enemies in Josh. 10:24; 2 Sam. 22:39/Ps. 18:39; Is. 63:3, 6; Mal 3:20-21; Zech. 10:5; Ps. 44:5; 60:14; 108:14; 91:11-13, enemies lick dust in Is. 49:23, Mic. 7:17; Ps. 72:9, and stricken serpents in Is. 27:1; 51:9; Ps. 58:5-7, 11; 74:12-14; 89:11; Job 26:12-13; 40:25-41:26.
 James M. Hamilton Jr.,“The Seed of the Woman and the Blessing of Abraham.” Tyndale Bulletin 58 (2007): 265.
 T. D. Alexander, “Seed” 769-773. In The New Dictionary of Biblical Theology T. Desmond Alexander and Roger S. Rosner eds. (Downers Grove: InterVarsity Press, 2000), 769.
 Waltke, An Old Testament Theology, 280-81.
 Similarly, Edmund P. Clowney, has said, “The term ‘seed’ is ambiguous in Hebrew: it can refer to descendants as a corporate group, or to an individual descendant. Genesis does not specifically resolve that ambiguity. But as it holds before us the line of fathers and sons, it surely points to a second Adam, a Seed who is appointed like Seth, called like Noah, chosen like Shem, and made a blessing to all the earth as the Seed of Abraham” (The Unfolding Mystery: Discovering Christ in the Old Testament [Phillipsburg, NJ: P&R Publishing, 1988], 42).
 See John M. Frame, The Doctrine of the Word of God (Philipsburg, NJ: P&R Publishing Company, 2010) 57-58, Stephen G. Dempster, Dominion and Dynasty: A Theology of the Hebrew Bible (Downers Grove, IL: InterVarsity Press, 2003) 68, and Hamilton, God’s Glory in Salvation through Judgment, 79. It may also be significant that after Adam names Eve, presumably in an act of faith, God sacrifices an animal to cloth them and cover their guilt (Gen 3:21).
 Admittedly, even once we come to the NT it looks at times that the fulfillment of Genesis 3:15 still has a singular and a collective aspect to it and this may be true but it only has a collective aspect to it because of the singular seed. Paul says that the God of peace will soon crush Satan under your feet (Rom. 16:20). Yet how are they identified with God’s people, it is through the Christ that crushes Satan and death. I could list other things that identify Jesus, the Christ, as finally and ultimately fulfilling the promise to Adam and Eve but this must suffice here. It is true that we (collective) will crush Satan under our feet; I do not want to be at odds with Paul, only we do it as we are in Christ.
 Alexander, The Servant King, 19.
 Hamilton, God’s Glory in Salvation through Judgment, 84.
 Hamilton, God’s Glory in Salvation through Judgment, 84.
 In Table 2.9., Hamilton shows the “Seed Conflict in Genesis.” On the individual level we see Cain and Abel (4:1-16), Ishmael and Isaac (21:8-9), Esau and Jacob (27:41), lastly the Sons of Israel and Joseph. On the collective level we see Pharaoh and Egypt and Abraham and Sarah (12:10-20), Kings of the world (Sodom) and Abraham and his men, Lot, Melchizedek (14:13- 24), Abimelech and the Philistines and Abraham and his people (21:22-34), Abimelech and the Philistines and Isaac and his people (26:14-16), the men of Shechem and Simeon, Levi, and Israel (Dinah) (34:1-29), lastly the Sons of Israel and Joseph (37-44). See Ibid.
 Hamilton, “The Seed of the Woman and the Blessings of Abraham,” 261.
 We could explore many passages further. For instance: Matt 22:44; Luke 10:17-19; Acts 2:35; Rom 16:20; 1 Cor 15:25; Gal 3:16; 4:4; Eph 1:20-22; Heb 2:5-9, 14-15; 10:13; Rev 12; 22:16. We could also look at the two collective seeds in the NT, those who follow Satan and those who follow their Savior.
 Of course everyone is the finally the seed of the Eve but this is a literary devise showing the significance of Jesus.
 Hamilton cites Wifall in “The Skull Crushing Seed of the Woman,” 43.
 Alexander, “Seed” in The New Dictionary of Biblical Theology, 772.